The Taiwan Creative Content Agency (TAICCA) and its strategic partner network have committed NT$5.64 billion ($180 million) across 27 creative projects.
Announced by TAICCA chair Sue Wang at the Taiwan Creative Content Fest (TCCF), the total financing incorporates NT$740 million ($23.7 million) directly from the agency alongside NT$4.9 billion ($157 million) raised from private sector investors.
The initiative operates across four joint ventures aiming to scale Taiwanese cultural intellectual property into global markets.
Among the investment vehicles, Enjoy Entertainment Limited Partnership—a joint endeavor between TAICCA and telecom provider Far EasTone—backed 15 projects in its initial 10 months.
Its portfolio splits between screen productions and live music initiatives, featuring high-profile titles such as the record-breaking horror release 'The Rope Curse 4: Kuntilanak,' which pulled in NT$80 million ($2.6 million) locally.
The venture is also financing VMTheatre Company’s 'Don’t Cry, Dancing Girls the Musical,' celebrated as the first Taiwanese musical production to reach Off-Broadway, as well as a local global-release remake of the 2022 hit Korean drama series 'Our Blues,' slated for Netflix on Dec. 3.
Developments in the realm of family-oriented media and movie and television releases are also driving the investment slate.
The momomini Kids Content Fund, established in December 2025, introduced six projects spanning live-action, animation, and drama.
COO Phoebe Tsai noted that the fund targets dedicated children's entertainment, a sector previously underserved as a standalone investment category in Taiwan.
Highlights include 'Mogu & Perol,' an animated collaboration blending French IP with Taiwanese talent that highlights Hakka cultural elements across multiple episodes.
Additional ventures include Joint Journey Creative, which is funding local feature films like 'The Damp' while contributing to international productions such as Season 6 of Japan's 'Midnight Diner.' Meanwhile, the NT$1 billion ($32 million) Chunghwa Digital Cultural and Creative Fund—backed 64% by Chunghwa Telecom—is taking project stakes and equity holdings in production entities.
Its creative lineup includes the Taiwan-South Korea cross-border action comedy 'Call of Lobster' and Esther Liu's executive-produced drama 'C’est la Vie.'
